Art Analysis, Research Paper Example

Artist: Leonid Afremov

 Year born/year died: Born on July 12, 1955

Influences: self-representing art

Style associated with this artist: A correlation of Baroque and Renaissance Art

Title of Work: Walking in the Rain

Background info on work: Defines the condition of the weather and how Afremov actually sees the emotional bearing it has on humans [especially that of the couples he chose to show in the work as possibly the main characters of his story].

Critical Analysis of the Work:

Line: the lines used for the art presented herein ranges from stretched to being well defined; a collaborative use of horizontal and vertical lines, the creator tried to define both space and environment through indicating the  position of the characters and their relation with the environment that they are presented along with.

Shape/Form: Circles and squares are most likely the common shapes in the painting. Creating an in-depth yet likely direct depiction of the trees and the ground that is separately defined from the humans in the picture, these shapes were effectively used to show contrast of elements in the artwork.

Color: the artwork represents the effective use of both warm and cool colors at the same time [which at some point concentrates more on the warm colors for the trees and cool colors for the ground suggesting the existence of water from the rain in relation to the message being portrayed in the work.

Value:  light as the picture is, the artist tried to create a specific condition of indicating life into the artwork; using more light hues than dark, the artwork simply comes alive with the said use of value.

Texture: two-dimensional as the artwork is, the texture of this presentation is considered rough due to the dimensional use of colors and shapes altogether to make a distinctive representation of the focal point of the said art.

Space: Taking the linear perspective, the artist used lines to assume the space that defines this particular work.

Artist: Teddy Redlin

Year born/year died: Born July 11, 1937

Influences: outdoor art

Style associated with this artist: Collaborative use of Baroque and Classical Art

Title of Work: Lighthouse

Background info on work: Redlin, known for his outdoor paintings utilized the nature’s colors to impose life on this artwork. He wanted to depict the actual serene nature that is presented alongside the environment that is represented in the background.

Critical Analysis of the Work:

Line: mostly utilizing horizontal lines, this art work imposes to represent the natural beauty of the water during sunset as it highlights the representation of the lighthouse in the background which erects high in the mountain top that contrasts the overall horizontal line which balances the overall presentation of the work.

Shape/Form: Natural as the presentation is, this painting utilizes a majority of natural shapes that makes the elements [humans, water and the lighthouse] stand out from the plain backdrop used in the work.

Color: Utilizing warm hues of yellow and dark red, this specific art makes an indication of the artist’s feel of the element that has been presented in the work.

Value:  This artwork  is more dependent on the dark hue which elevates the nightfall as the primary setting for the painting.

Texture: smooth  as the surface is, the artist used the plain backdrop to impose the plainness of the presentation.

Space: Taking the linear perspective, the artist used lines to assume the space that defines the condition of the environment that is represented in this artwork.

References

Kleiner, Gardner, Mamiya and Tansey (2004). Art Through the Ages, Twelfth Edition (2 volumes). Wadsworth.

Kristine Stiles and Peter Selz, eds., Theories and Documents of Contemporary Art. Berkeley: University of California Press, 1996.