Examining the Windows of the Absurd Theatre, Research Paper Example

Introduction

This section of the discussion is dedicated in introducing a background definition of the absurd theatre, its historical notes and the specific developments that it has come through. This part of the presentation shall create a notable indication on how the said approach to theatrical art has been received by the public in the past and how it has been revised to fit the new generation of viewers at present. Considerably, it shall also be discussed in this section the different aspects of explanations that are to be included in the context of the whole paper.

Understanding the Absurd Theatre

For this part of the discussion, a specific focus on defining the absurd theatre shall be given attention to. Noting its history, its developments, transformations and reinstitution in the society shall be given particular concern. Being the first section of the overall discussion, this part of the presentation shall make an indicative definition of the how’s and the why’s behind the existence of the said form of theatrical art. It shall also insist on the supremacy of the absurd theatre apart from all the other forms of theatrical presentations due to the unconventional approach it uses in presenting the stories through a new form of language and plot arrangements.

The Absurd Theatre as a form of Avant-garde art

As the previous section shall define the said theatrical presentation as rather more superior than others, this section shall provide an explanation that provides a clarification on the status of the absurd theatre as a form of avant-garde art. Being a form of extensive art that represents the unconventional type stage-drama and acting, the theatre of the absurd has been considered a new formative approach to story creation and performance. This section shall define the fact that being a superior form of art, the absurd theatre does more than just make the audience laugh, but also creating a sense of thought that defines the beliefs and perceptions of the people who appreciate the said art.

Noting the Real Worth of the Absurd Theatre

Unlike other forms of theatrical art, the absurd theatre has been considered to be a pure source of entertainment for its audiences. However, as dedicated critics note in their writings present, this form of art provides more than just a source of past time and entertainment. This section shall then present a source-dependent exploration on how critics view the real worth of the absurd theatre during the early 18^th century towards the current era and how its transformation through time provided a sense of higher regard for the overall existence of theatrical art. Notably, this section of the discussion shall create a more responsive definition of the absurd theatre in a way that its worth to the real life becomes evidently shown.

An Absurd Mirror of Real Life

Beyond the satiric and humorous presentation of the said theatrical art, this section shall show a more refined definition on how absurdist is used to mirror the realities of life and how extensive its different elements are able to make a specific reflection of the most controversial truths that life itself presents which humans become subjected to.

Understanding the Deeper Meaning of the Absurd in Different Cultures

Exploration of cultures in this section shall provide a definition on how absurd theatre is used as a form of artistic presentation in different nations across the world. The specific indication of cultural differences shall be accounted for to have a direct reflection on how culture and art are used to represent absolute absurdism in a comprehensive approach. This section shall also show how the said form of theatrical art developed and was adapted by different cultural divisions around the world.

Reflections and Learning

As a final presentation of the gained learning from the topic in concern, this section shall provide a glimpse of matters that have been learned and have been found useful by the author in the personal level of realization.

Conclusion

To be presented in five point summary of the entire discussion, the conclusion section shall make it easier for the readers to see what the context of this paper has been about and how new indicative knowledge about the absurd theatre clears the real worth of the said form of art in theatrical performances. Notably, this part of the presentation shall make a comprehensive indication on what needs to be realized in line with the superiority of the unconventional approach of story presentation used in the creation of absurd theatre as it has been performed in the past compared to how it is being presented today.

This draft of the final paper presents the major points that are relatively considered by the researcher to be important in noting the primary themes that make up the establishment of the worth of absurd theatre for the present form of artistic refinement of theatre arts. Relatively, it is expected that this draft would be able to tackle the most important sections that are consistently able to make a great impact on how the development of performing arts have taken from the early centuries towards the present years of modern theatre.

References

Gabrielle H. Cody, Evert Sprinchorn. The Columbia encyclopedia of modern drama. Columbia University Press, 2007.

Marshall Cavendish. World and Its Peoples: Eastern and Southern Asia. Marshall Cavendish, 2007.

Kalina Stefanova, Ann Waugh. Eastern European Theater After the Iron Curtain.Routledge, 2000.

Les Essif. Empty figure on an empty stage: the theatre of Samuel Beckett and his generation. Indiana University Press, 2001.