Music Term and Listening, Essay Example

Mozart

Eine kleine Nachtmusik demonstrated a characteristic of a structure which was initially directed with the short phrase. The beginning is actually an outline of the serenade. The rhythm which is applied is mixed. The tempo which is applied in the beginning is mixed. The harmony is mixed. The dynamics in the beginning of the serenade manifested very big changes. The texture which is applied is polyphonic, which is composed of the G major application of G- B- D that is dominant in conjunction with the D- F sharp application toward A- C.

The instrumentation which had been applied was piano. The form is sonata – allegro. The expression is crescendo which concludes in forte. I appreciated the beginning which with the polyphonic entrance announced the serenade. I was mesmerized by the entranced with its mixed texture. I was amused by the sonata- allegro pace at the beginning of the serenade.

Mahler

Maher’s 5^th symphony is an adapted sonata which applied 4/4 tempo. The melody which had been applied was a regular phrase. The rhythm which had been used was mixed. The tempo which had been applied was largo. The harmony which had been applied was major. The dynamics which had been applied were forte. The instrumentation which had been used was mostly strings.

The form which had been applied is an adapted sonata – allegro. The expression is accelerated. I liked the entrance of the beginning with the winds followed by the percussion section. The wind section gave a dramatic feel to the music which captivated me. I liked the subtle manner by which the string section was introduced in the beginning.

Pachelbel

Pachelbel’s Kanon in D is a disciplined three part short phrase. The rhythm which is used is duple. The tempo which is used is largo. The harmony which had been applied was consonant major. The dynamics which had been applied are mixed.

The expression which had been applied is crescendo. I liked the way that the three part short phrases gave the illusion of being a long phrase. The extension of the notes gave the impression of being largo. I liked the clarity of the notes which had been played by the sting section and the manner that they combined to give the impression of a tonal poem.

Tchaikovsky

Tchaikovsky’s Suite no. 3 is a musical composition which uses the tomes in order to paint a story in the listener’s mind. The structure is directed toward the short phrase. The rhythm is meter. The tempo is allegro. The harmonics which had been applied is consonant major. The dynamics of the musical composition is forte. The texture which had been applied was homophone.

I liked the way that the strings section was applied in order to tell a tonal poem. It is almost as if the music is trying to debate a point. I was fascinated by that characteristic. I liked the manner that each of the categories of musical instrument, the wood winds and the strings are trying to plead a point to the listener. The musical argument reaches a crescendo that reaches an apex at 7: 00. It then continues to debate with the listeners while experiencing a number of decrescendos and crescendos.

Rachmaninov

Rachmaninov’s  C- minor concerto with Evgeny Kissin is a triple rhythm ABAS prelude began with a forte. The pace of the second segment is accelerated. The instrumentation had been full orchestra which was directed toward the central instrument which was the piano. The dynamics initiated with moderato. The melody was short phrase.

I relished the manner that Evgeny Kissin initiated with the long notes on the piano in the beginning of the concert and the manner that this transformed into short phrases as the concert progressed. The primary aspect that I enjoyed about the concerto was the dramatic role of the pianist, Evgeny Kissin. I was intrigued at how the orchestra was centered on the pianist. I found looking at the pianist playing the piano to be as interesting as listening to the concerto. I enjoyed the way the Evgeny Kissin would reach a crescendo and then alternate with a decrescendo.

Debussy

Debussy’s La Mer 1^st Movement began as a short phrase. The instrumentation which had been applied was mostly strings with wood winds. The form is set as a scherzo. The musical composition is intended to mimic the action of the waves moving back and forth over the ocean. The dynamics which had been applied demonstrated very big changes. The expression is crescendo.

I enjoyed Debussy’s La Mer, 1^st movement due to the manner by which the music imitated the sounds of the waves on the ocean. I liked the way that the musical intensity of the orchestra’s energy had been built up to an apex. I enjoyed the coordination of the conductor, Claudio Abbado as he led the orchestra through the changes which had been made to mimic the effects of waves on the ocean. I was tickled by the violin playing at 4: 55 and the wind instruments when they joined in at 5: 15. I like the way that Debussy’s La Mer 1^st movement concluded which had been forte.

Stravinsky

Stravinsky’s rite of spring began at 4: 16 with a disjunct: melodic fragment. The rhythm was mixed. The tempo which had been applied is allegro. The harmony which is applied was dissonant and mixed. The dynamics of the musical composition are forte and demonstrate very of changes.

The texture of the rite of spring is mixed. The instrumentation which had been applied was full orchestra. The expression which is used is crescendo. As the music progressed, it had been converted into polyphase sound. This had been a quality which I truly appreciated. I enjoyed the dramatic quality of the short phrases. I delighted in the entry of the woodwinds and their blending with the strings. The coordination of the cinematography with the instruments which were being introduced enhanced the nature of the disjunct melodic fragments

Boulez

Structure deuxieme livre ½   is a disjunct melodic fragment. The rhythm is mixed.  The tempo is mixed. The harmony is dissonant: atonal. The dynamics had demonstrated very big changes. The texture of the musical composition had also been determined to be mixed. I liked the manner by which the notes were left suspended in the air. The feel of the music was staccato which was appropriate for its abstract nature. I liked the manner that the notes were played in forte. I liked the manner that the crescendos were formed from single notes. The polyphonic tome of the concert was engaging.

Preservation Hall Jazz Band

Down in Honky Tank applied a log phase triple rhythm in addition to an allegro tempo. The harmony was blues. The dynamics expressed very little change. The texture of the music was call and responsive. The instrumentation which had been applied was woodwinds, piano and percussion.

Listening to the is music placed images of New Orleans during Mardi Gras in my mind. The instrumentation is Dixieland 5. I liked the consistency and the repetition. I especially enjoyed the clarinet solo which took place at 1: 35. I appreciated the trumpet sol which followed at 2: 30. I marveled at the piano playing with which the short phrases were used in contrast to long phases which were applied by the wind and percussion sections.