Triumph of the Will Movie, Essay Example

Cinematography is the art as well as science that involve the movement of pictures and other photography images through the application of light and electromagnetic radiations.  In most cases, cinematography practices are produced electronically and chemically especially by the use of image sensor tools and other light-sensitive materials including film stock. This process usually results in the production of multiple images in a video file for display to the audience.  Furthermore, the images formed on the film stock are processed, played back and projected on a screen at a rapid speed to create illusion of a movie.  The cinematography practice is usually applied in many operations including in mass communication and recreational purposes such as films. The use of cinematography is employed in the development and design of the movie entitled, “Triumph of the will’ by Leni Riefenstahl in various ways. For example, in the “Triumph of the will” film developed in early 1935 there is the use of several of film techniques including the use movie cameras, aerial photography as well as the use of long focus lenses and cinematography.  The movie also exhibits a number of creativities, photography and symbolism thus captures the audience attention.  Riefenstahl specifically employs the use of cinematography in the film by focusing on the use of different camera lenses to display different picture motion. The film camera set-ups, movements and editing display high standards of motion images and pictures.  A moving camera technique is employed in the film, and this promotes the standard of the film approach to reality. This technique captures the audience attention in the film and creates more sense of altered reality.  In that sense, it evident that  the movie employs cinematography by including motion pictures through the use of electromagnetic radiations and other image sensor procedures. The author of the film, Riefenstahl, employs this technique to transfigure and promote the standard of film reality.