Giovanni Francesco Guerriri Oil Painting, Judith With Holofernes, Essay Example

This is an early 17^th century oil canvas painting by the Giovanni Francesco Guerriri (1589 to 1655, an Italian). This was year 1626. Guerrieri lived in Rome shortly where he did work for Marco Antonio Borghese. The beheading of Holofernes by the Judith has been given in details in the Old Testament in book of Judith. It has also been a subject to numerous paintings and the sculpture (Bible art Gallery).

Judith With the Head of Holofernes

Judith was a beautiful and wealth young widow who was living in a hilltop town that was called Bethuliah. Judith undertook a very daring and a sexually ambiguous mission during the siege of their town so as to save her people from the annihilation. With her maid at her side, she went to the camp where Holofernes an Assyrian commander in chief of their enemies was living. Although he had a fearsome reputation, he was charmed by Judith. She then attempted him to get drunk and she took his sword from the bedpost where it was hanging and immediately she hacked his headed off as he was laying in a stupor (Bible art Gallery).

With the head wrapped in bed curtain, she returned to her own people in the Bethuliah. Holofernes head that was hung in towns ramparts caused panic and fear among Assyrians who fled away.

The images depict history in the old times and they portray history in a more understanding way by giving the impression or the information that is needed. The images creativity and clearness has made the images to be very much preferred in giving out the message required. The image above clearly gives the message of what really happened during that time and the information is clearly portrayed. The women are portrayed as brave and courageous and ready to defend their people by all means (Mary 24).

The images clearly follow the society development and shows clearly how the society changes from one time to another. The image clearly shows how the society changes from moment to another. The painters use all means to make it clear how the society changes.

Almost all images messages are to show exactly what is important at a certain period of history. To shows exactly what happened at a certain time in history. Images do not just show the appearance or the image, but they give the understanding of that particular image and the information or message required.

The images depict what they do so as to portray and give clear information or message that is required clearly. The image shows what is being done so as the information to be gotten clearly without confusions.

The art usually change with history as the society changes. The images shows or gives information about the society, and as the society keeps on changing from time to time then the images do change the same way.

We can learn a lot from the images as educated or casual observers. This will all depend on our interpretation of the image as we observe it. What the artist say about the image gives a primary source of the interpretation about the image. We learn of various society settings when we see and interpret the images or the arts.

The European art history shows or informs us of the various heroes that have been famous or recognized in the Europe in various ways like wars, discovery, science or even arts. The Chinese art history shows more or tells about the Chinese culture and the art. They mainly deal with design and architecture by the Chinese society. They show what the society generally uses as compared to European arts which show the individual heroes or persons (Mary 12).

The religion has been portrayed very much in the art history. The ancient art concentrated more on the religion in their work. The images shown above are more of religion that shows clearly that the art history has taken a higher place in the art history (Ernest 22).

Aristocracy is a form of the government where just few of the prominent citizens rule the majority. It was mainly used in Ancient Greece. The art displays those as greedy people who are there to suppress the poor and those who are not able to sustain themselves in society.

Kasper (Jasper) van den Hoecke was a Flemish who was born in 1595 and died in 1648. He was a painter and an artist with very big gallery.

Holofernes Banquet

Holofernes held a banquet for his slaves only. He invited Judith to eat and drink with them. Holofernes was very much pleased with her that he also drank great quantities of wine than he had ever drunk in his life.

This image display how old banquets or parties were being held and prepared. It clearly shows how history and society develops.

The images clearly follow the society development and shows clearly how the society changes from one time to another. The image clearly shows how the society changes from moment to another. The painters use all means to make it clear how the society changes.

This image is important as it helps us understand various settings of the old society. The image depicts what they do so as to help us understand more of the society.

The images depict what they do so as to portray and give clear information or message that is required clearly. The image shows what is being done so as the information to be gotten clearly without confusions.

The images shows or gives information about the society, and as the society keeps on changing from time to time then the images do change the same way.

We learn of various society settings when we see and interpret the images or the arts as casual or educated observers.

The European art history shows or informs us of the various heroes that have been famous or recognized in the Europe in various ways like wars, discovery, science or even arts. The Chinese art history shows more or tells about the Chinese culture and the art (Mary 12).

Works Cited

Bible art Gallery. Judith off With His Head!!!. 5 July 2006. 7 Dec 2009. http://www.bible-art.info/Judith.htm#OFF%20WITH%20HIS%20HEAD!!

Ernest Benn. Benn’s media, Volume 4. London: Benn Business Information Services press, 2005.

Mary Jacobus. Reading Woman: essays in feminist critism. New York: Taylor & Francis press, 1986.