Non-Western Art Influencing Factors, Essay Example

Introduction

Art has been described in several definitions most often than not related to human expression of beauty. For some cases, art has been described as the primary tool to define human culture based on the national region they come from. In this discussion, a focus on the Islamic and European art shall be given attention to. to note the impact of these cultures on the value and presentation of western art, the attention on how the development of the textile art [focused on fashion] shall be given full consideration in this discussion. These aspects of art are to be examined as to how well they relate to the primary artistic creations and establishments found in the western regions.

It could be understood that through time, art and its forms have been constantly changing; especially in relation to how it basically recognizes global changes, a matter that is considered constant in any form of culture or national tradition. Looking through considerations over trade and cultural exchange through diplomatic relations, this discussion shall try to explore how good improvements on a well-defined system of development is determined especially for the sake of insisting on how western art is to be consistently viewed as somewhat extensive enough in featuring different special factors making up other cultural art as well.

It is understood that somehow, the Islamic culture is more religiously defined while the European culture is rather dependent on the condition of defining social strata among members of the community. The differential focus on these factors of importance in the form of art that is produced under the European and Islamic regions shall identify what specific elements in Western art have been affected by such influences. What these influences are and how strong they are in affecting the current presentation of western art; this shall be the primary consideration that is to be given attention in this discussion.

General Definition of Art

Art has and will always be a determinable expression of one’s culture with regards the concept of beauty that it strongly relates to. In consideration with the developments incurred by the western culture, it could be realized how the combination of cultures because of the emergence of globalization and how much change it is making in the concept of seeing the values of modern art and how modern living in the Western regions is redefined in the process of such point of transformation.

In fashion art is considered to take a more functional standing; one that is able to take route on the desire of creating a more distinct manner by which beauty becomes a functional matter that supports the most basic as well as the most complex matters defining the basics of human living. In relation to the cultural development that the nations take into account, the cultural value of artistic presentations also transform through time.

Cultural Function of Art

The Islamic culture is noted for its concentration on different patterns [basically concentrated on animals and other natural elements] that directly reflect the religious ideals that the Muslims fully depend upon (Sandars. 2008). The presentation of such elements are largely made obvious especially for the sake of making a definite impact on how the said religious group recognize the real value of patterned art especially in terms of creating a distinct insistence on how the members of international religious group actually determine their culture with these symbolisms.

For instance, one example of this is that of the designs found in most Islamic garments and textile where patterned designs are specifically considered essential as part of the item’s overall value depending on its design. Noticeably, the details of these patterns is what makes the meaning and value of the artistic produce more effective in providing a more convincing option by which culture itself is being passed on to others as the art forms are being passed on from one specific nation to another.

The amalgamation of cultures through the emergence of global camaraderie among nations has made it possible for productive art to be distributed more evenly in different communities thus redefining the concept of development in art more specifically. The Islamic form of cultural art has been passed on from one nation to another, not just because of its authenticity but because of the cultural value it carries that is depending on the classy-touch of sophistication; an element that makes the entire artistic form a determinable concept of cultural identity that carries Islamic value into particular fashion and architectural feats in the Western regions.

Islamic art as seen in fashion is usually determined by the patterned design; one that makes it certain that the textile is able to stand out in unique distinction among others [as somewhat Islamic in form](Sanders, 2008) . Noticeably, the world of fashion has been evolving through time, and the Islamic impact on such industry creates a massive distinction on how it promotes such a culture. Take note of the image shown herein as it identifies with how the Western culture has adapt well to the Islamic fashion through innovative connection between the two separate cultures noted in the recreation of a new fashion trend:

Notice how these western women reflectively display a sense of sophistication as the plains are mixed with the patterned garments making it much easier for the audience to take notice of the uniqueness of the Islamic fashion design.

On the other hand the European culture depends so much on social development and the establishment of social strata. The European society makes a definite impact on how the world values social diversification especially when it comes to mandating the status they are recognized with. Noticeably, it could be understood that with such point of stratifying culture, the art that Europe holds proud of is able to manifest a sense of creating a definite insistence on how the world handles the changes that involves cultural diversification. The two images featured below show how social strata are identified in the European culture and how well the creation of distinct determination of cultural connection in the current status of modern western fashion is incurred through fashion-evolution:

From these images, it could be noted that the photograph on the left side is one that identifies classical European fashion that identifies the elite members of the society. On the other hand, the style  of fashion presented in the right side is one that is considered as a peasant’s outfit in Europe. However, with added sophistication and style, the modern Western fashion is able to make the most out of such stratification and bring the peasant’s clothes into something more detailed and more defined to be worn by people of higher social identity.

With social-strata as the base element that makes up the European culture, it could be understood and observed how the artistic presentations in the region are guided by the hierarchy of social class. In fashion, the obviousness on determining a more definite sense of such aspect could be seen as the set of clothes presented for those who belong to the higher social class have a different statement compared to those belonging to the lower class of members in the communities.

Conclusion

Art, as a form of expression, will always be a distinct sense of determination on how humans think and how they want to impose on how they share their thoughts to the public. On the same course, the external situations, including culture and traditions as well as social norms are largely making a definite impact on the changing worth of modern art accordingly. True, the Islamic and the European culture directly makes a definite insistence on proving that globalization has made it easier for one specific culture to take the cross roads into determining a more convincing condition by which its value is represented [and at some point even distributed] to other nations that are able to appreciate the said worth. The formation of camaraderie through culture could be seen fully from the idea behind the reconstruction of artistic values through the amalgamation of cultures that are mixed together in order to form one uniquely designed art.

The world at present supports the condition of artistic amalgamation between cultures. It is expected that such condition shall develop especially because of the value of development among communities that are existing around the globe at present. The presentation herein, which is focused on the outside influences that western art takes into account, shows how extensive cultural art has already gone through and how well such option of development could actually bring forth a new and transformed outlook towards functional art.

What constitutes such point of artistic valuation is that of the condition by which people are beginning to accept the crossroads between cultures; this recognizing them to be rather common especially in areas that are prone to receiving international trade operations from particular neighboring countries. The supposed ‘marriage’ between function and beauty is becoming a common trend today; one that leads people to be more creative and innovative all at the same time.

References

Sandars, N. K., (2008). Prehistoric Art in Europe, Penguin (Pelican, now Yale, History of Art).

Jones, D; (2003). Michell, George, eds. (1999). The Arts of Islam. Arts Council of Great Britain.

Kleiner, F,S. (2008). Gardner’s art through the ages: the western perspective (13, revised ed.). Cengage Learning.

Kleinhenz, C; B, John W (2004). Medieval Italy : an encyclopedia, Volume 2. Routledge.

La N., S; McLeod, Bet; Rohrs, Stefan (2010). The Heritage of “Maitre Alpais”: An International and Interdisciplinary Examination of Medieval Limoges Enamel and Associated Objects. British Museum Research Publication.

Sheehan, J.J. “Art and Its Publics, c. 1800,” United and Diversity in European Culture c. 1800, ed. Tim Blanning and Hagen Schulze (New York: Oxford University Press, 2006), 5-18.

Broug, E. (2008).  Islamic Geometric Patterns, London : Thames and Hudson.